Eero Saarinen (Finnish pronunciation: [ˈeːro ˈsɑːrinen]) (August 20, 1910 – September 1, 1961) was a Finnish American architect and industrial designer of the 20th century famous for varying his style according to the demands of the project: simple, sweeping, arching structural curves or machine-like rationalism.
Eero Saarinen shared the same birthday as his father, Eliel Saarinen.[2] Saarinen emigrated to the United States of America in 1923 at the age of thirteen.[3] He grew up in Bloomfield Hills, Michigan, where his father was a teacher at the Cranbrook Academy of Art where he took courses in sculpture and furniture design. He had a close relationship with fellow students Charles and Ray Eames, and became good friends with Florence Knoll (née (Schust).
Beginning in September 1929, he studied sculpture at the Académie de la Grande Chaumière in Paris, France.[1] He then went on to study at the Yale School of Architecture, completing his studies in 1934. Subsequently, he toured Europe and North Africa for a year and returned for a year to his native Finland, after which he returned to Cranbrook to work for his father and teach at the academy. He became a naturalized citizen of the U.S. in 1940. Saarinen was recruited by his friend, who was also an architect, to join the military service in the Office of Strategic Services (OSS). Saarinen was assigned to draw illustrations for bomb disassembly manuals and to provide designs for the Situation Room in the White House.[4] Saarinen worked full time for the OSS until 1944.[1] After his father's death in 1950, Saarinen founded his own architect's office, "Eero Saarinen and Associates". The company grew from there and his collection is still living on even though he is not.
No comments:
Post a Comment
Thank you for your comments.